An immersive imagery theatre experience with John Singer Sargent laying bare his relationships with models Thomas McKeller, Anton Wilhelm Kamp & patroness Isabella Stewart Gardner, desperately seeking non-portraiture as his legacy.

McKeller became Sargent’s most "useful" life drawing model, standing in for men, women, the politically powerful, all forms of gods, goddesses and white people. The "colossal" painting of a totally uncovered Thomas McKeller, was only displayed "discretely & infrequently" to Sargent's closest friends, never publicly during Sargent’s lifetime.